A complete left-turn with the next artists, Darkroom. Ostensibly a duo comprising guitarist/looper Michael Bearpark and bass clarinettist/synth man/sound whizz Andrew Ostler, for this show they were joined by Turkish guitarist and musical sculptor Hazal Elif Yalvaç. The ambient improvisational soundscapes created by the trio, across two lengthy pieces currently known as Side A and Side B (although the latter was referred to as Hospital Guy), were quite captivating from my seat in the centre of the hall and it was fascinating to watch their creative process at close hand, the music produced often bearing little resemblance to the instruments being wielded. Textural and unhurried, the pieces evolve with fragments of melody appearing, developing and then evaporating. A cleansing and thought provoking performance which I am glad to have had the opportunity to witness.

Jez Rowden, The Progressive Aspect
Original review here